Anita Di Bianco is a film and video maker living in New York and Berlin.  Her short films take up, modify and re-work existing and re-imagined literary and film characters – excerpting and adapting the texts of such authors as Jean Genet, Marguerite Yourcenar, and Gertrude Stein, as well as revisiting familiar media rituals and pop-cultural tropes.  Di Bianco’s videos and films have been shown at PS1 and at the Carnegie Arts Center in New York, at the Rotterdam Film Festival, at Les Laboratoires d’Aubervilliers, Paris, at the Salzburger Kunstverein, Cinematexas film festival in Austin, and at Galerie Elisabeth Kaufmann, Zürich, doggerfisher in Edinburgh, among other venues.  She has screened her work and lectured on the politics of re-makes at the Midwestern Art History Conference, at the seminar Diffusion and Confusion at Konstfack in Stockholm, at Klartext! The Status of the Political in Contemporary Art in Berlin, at the Society for Cinema and Media Studies in London, and at Yale University’s film school.

She is an artist-in-residence at the Irish Museum of Modern Art in Dublin in 2008.

Filmography
- COM VIET, 2008, 31'00'', 16mm film transferred to HD video, colour
- BALLAD IN PLAIN D, 2007, 7'00'', 16mm film transferred to HD video, colour
- DU REVE ET DES DROGUES, 2007, 25'00'', HD video, colour
- STUDIES FOR J, 2007, 6'00'', 16mm film, colour
- THE DEAD SOULS SCANDAL, 2006, 10'00'', 16mm film, color
- LETTERS FROM THE UNSUSPECTING, 2004, varying duration, digital video, colour
- DISAFFECTION AND DISAFFECTATION, 2004, 50'00'', digital video, colour
- PRESSED INTO PALM, 2003, 7'00'', digital video, colour
- BETTY TALKS, part I, 2001, 8'00'', S16mm transferred to 35mm, colour
- BETTY TALKS, part II, 2001, 4'00'', digital video, colour
- L IN CAMBRIDGE, 2001, 2'30'', DV-PAL, colour
- SHE SUGGESTED, 2000, 29'00'', digital video, colour
- IL DOTTORE FAUST IL DOTTORE ACCENDE LE LUCI, 2001/2000, video-set production